The Alphabetics of the Barista Part II
Moza Almatrooshi
Watch Moza Almatrooshi's performance at Le Guepard, Alserkal Avenue
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As part of Stepping Away: Performance as Practice in the Non-West, a two-year research collaboration between Alserkal Arts Foundation and Warehouse421, Moza Almatrooshi's performance explored questions of disposability and the consumption of food, labour and time was considered throughout the making of the work.
Moza Almatrooshi is a UAE based conceptual artist & writer. She obtained an MFA from the Slade School of Fine Art in London, UK in 2019. Almatrooshi's practice operates within the study of erased mythology of the Arabian Peninsula, and correlates these myths with the structures that are upheld by the present regional political climate. Through a fictive lens, her themes materialise in performances, moving image, audio media, as well as text. Moza’s work has been performed in the Victoria & Albert Museum in London, selected by the ICA London and BBC for the New Creatives project, and displayed in the second Lahore Biennale.
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Abandoned: When a Crisis Allows Nature Back In
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Precarious Existence
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An Outlook on Change
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Humanising Cities
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Alserkal Avenue | The First Decade (Part 2)
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Alserkal Avenue | The First Decade (Part 1)
A conversation with the creative visionaries and cultural entrepreneurs who have partnered with Alserkal Avenue over the past decade.
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Humanity as Refuge I
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What is the role of the artist in society?
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When Solidarity Is Not a Metaphor
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A closer look with Sarah Almehairi
In 'When the Ground Was', Sarah Almehairi takes us along for a walk. Concrete floor sculptures and works on paper and canvas become visual pathfinders, each a portal to another story. Sometimes architectural, other times cartographic, together, they toy with the notion of scale and perception. And then, somewhere, Sarah's body of work appears as a prompt - a starting point for many things - a poem, a guide, an invitation, but most significantly, a process of unlearning, where she gently nudges viewers to deconstruct things they believed to be true, sensitising them to connect with their environment in new, distinct ways. 'When the Ground Was' is on show in Carbon 12 until 1 November 2022. #artintothenight
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Imploded, burned, turned to ash
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Sneak peak of An Outlook on Change
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Concrete Closed Sessions | Nujoom Alghanem
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JAFR. The Alchemy of Signs by Nja Mahdaoui | Elmarsa Gallery
Artist Nja Mahdaoui speaks about JAFR. The Alchemy of Signs, his third solo exhibition at Elmarsa Gallery during Alserkal Art Week in March 2022
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Sneak peak of Burning Issues
Cultures Conversation Preludes and Postscripts: The brand new series with Alserkal and powered by afikra.
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Vikram Divecha's "El dorado"
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The Alphabetics of the Barista Part II
Watch Moza Almatrooshi's performance at Le Guepard, Alserkal Avenue
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Sneak peak of Humanising Cities
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Dayanita Singh in Conversation
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Zifzafa
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Research Rooms
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Abu Fadi
Life provided him with an abundance of reasons to surrender, but he never backed down.
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Fathi Ghabin: A Self-Portrait of the Working-Class
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On This Land
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The Age of Multi-Crises
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Radical Podcast x Alserkal Avenue Mini Series
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Take a closer look at the experiments and stories that inspired the final culmination of the eight week long culinary programme.
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From the Archive | Spring 2023 Residency
A Feral Commons
The inaugural cycle of the Global Co-commission project, A Feral Commons, is underway and Alserkal Avenue is one of three cultural districts participating under the theme of climate change.
The Global Co-Commission
The Global Co-commission project, spearheaded by Alserkal Advisory, in collaboration with the Global Cultural Districts Network, unites three cultural districts across three continents: Alserkal Avenue in Dubai, Kingston Creative in Kingston, Jamaica, and Victoria Yards in Johannesburg, South Africa, in a collective response to the global climate crisis.
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Indie Publishers III Women Powered Platforms
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Making History: A Study of Archives
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Adverse Poetries
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Letter from Hollywood: How RRR Redefined Global Pop
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The Myth about Maths
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Ink, Paper, Alchemy II
In an era of digital publishing, working with ink, paper, and print is a daunting art form that requires pluck, business acumen, resilience and constant funding. Small-to-medium publishers often face rising odds in curating, creating and distributing beautifully produced works of text, photography and illustration on paper. The results, however, are often breathtaking, made all the more desirable by small print runs, lack of reprints, or modest distribution channels. With a number of small publishers still holding steady against digital publishing’s onslaught in South West Asia, Africa and South Asia, Saira Ansari goes in search of the remaining alchemists of print.
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Turn On, Tune In
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Saint Levant: Home-maker
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What did we gain at COP27?
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Fahd Burki and Ala Ebtekar Take to the Skies
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Arab Cinema in One Week
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Mud, Minarets, and Meaningless Events | A research convening
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Voice Notes from Venice
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The Poetics of Partition
In a trilogy of animated films entitled Lost Migrations, a refugee crossing South Asia’s lines of 1947, transforms into a weightless paper plane.
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A Reality Check for Indian Love
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Resistance is futile: how I learned to appreciate the e-scooter
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The Technological Body
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A Tour through A Supplementary Country Called Cinema
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Rewilding the Kitchen | Joori Wa Loomi by Moza AlMatrooshi
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On Tolerance
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Layer upon Layer
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A Walk through ICD Brookfield
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Earth to Humans
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Overheard at WCCE
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Why I Don’t Blame Institutions Anymore
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Open Studios: Still Lives
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An Incomplete History of Cinema, Part 3
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Hair Mapping Body; Body Mapping Land
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Cultures in Conversation Blog
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Rewilding the Kitchen | Mastic Fizz by Salma Serry
Curator and artist Nahla Al Tabbaa converses with filmmaker and interdisciplinary foodways researcher Salma Serry about Mastic and its connections to UAE's history
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Who Owns Yoga?
The warrior poses and sun salutations practiced in yoga studios around the world aren’t mentioned in any ancient yoga text. If that disconnect is a direct result of colonial influences, should we feel anxious about the authenticity of our modern yoga practices?
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The Tower by Wilf Speller
Compiled entirely out of footage appropriated from luxury real estate advertisements
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The Suffering Body
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August Observations
Personal archives are fraught sites filled with memories and stories that drag us into the past. How does a writer respond to a letter he receives years after it is written? The result is an exploration of the gaps and elisions laid bare by forgotten memories and unspoken sentiments.
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Rewilding the Kitchen | Recipe No. 1 | Barri by Namliyeh
Curator and artist Nahla Al Tabbaa savours unlearning traditional food narratives with ethnobotanists Namliyeh
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On Emirati Women
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The Alserkal Ecology Reader | Three Lectures on Architecture and Landscape in the Gulf
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Three Conversation Pieces III
As India continues to find its bearings amidst COVID tumult, Aveek Sen explores how his own conversations have become at once more vital, yet oddly unfamiliar
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An Incomplete History of UAE Cinemas, Part 2
In Part 2 of her Incomplete History, Mezaina explores the rise of the multiplex model, film festivals, and the creation of alternative viewing spaces in the 2000s.
opinion
Design as a Wrapper
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Three Conversation Pieces II
As India continues to find its bearings amidst COVID tumult, Aveek Sen explores how his own conversations have become at once more vital, yet oddly unfamiliar
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Engaging Audiences
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Three Conversation Pieces I
As India continues to find its bearings amidst COVID tumult, Aveek Sen explores how his own conversations have become at once more vital, yet oddly unfamiliar
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An Introductory Curriculum for Reparations
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The Africa Connection
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Chaos, Love, and Enigmas
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Living Under The Net
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Slippery Modernism
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A Modern History
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Is This Tomorrow?
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Hydrogen Helium
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Fabric(ated) Fractures
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Collaborative Co-existence
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Mohamed Melehi And The Casablanca Art School Archives
Works by major figure in postcolonial Moroccan art showcased at Concrete
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Will the Fashion Industry Ever Truly Be Sustainable?
Founder of clothing brand One and Four speaks about sustainable practices
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A Letter
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Connecting Cultures Through Contemporary Art
Sheikha Hoor Al Qasimi shares her thoughts on curating the second edition of the Lahore Biennale
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One-on-One with Nabila Abdel Nabi
A conversation with Nabila Abdel Nabi, Tate Modern's first MENA curator
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Mystical Warriors
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Is This Tomorrow? Art vs Architecture
Architecture and arts writers experience the show from their own perspectives
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At the Confluence of Art and Industry
Architect, designer, and writer Edwin Heathcote reflects on Concrete’s significance
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Poetry In Motion
Nujoom Al Ghanem fuses poetry and filmmaking for 'Passages', a reflection on the universal experience of displacement and alienation. The Emirati poet and director speaks to Melissa Gronlund about her solo presentation for the National Pavilion UAE at the 58th Venice Biennale
opinion
The Lighthouse Podcast x Vilma Jurkute
Alserkal's Executive Director Vilma Jurkute sat down with Hashem Montasser, creator of The Lighthouse Podcast, to share her experience in developing Alserkal Avenue as the leading arts & culture district in the region.
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Cape Town: A New Capital for Art
The eighth edition of Investec Cape Town Art Fair took place in February against an uneasy socio-economic backdrop — concluding in solid sales, and a newfound zeal for multiculturalism.
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METASITU in conversation with Ghada Yaiche
Artist collective in discussion with an architect on urban and ruin
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Drone Go Chasing Waterfalls
Thoughts on Stephanie Comilang’s film Lumapit Sa Akin, Paraiso (Come to Me, Paradise)
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An Incomplete History of UAE Cinemas, Part 1
In Part 1, Dubai-based writer Mezaina examines independent cinemas pre-multiplex days
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The Overseas Filipino Artist
Fresh insights on Filipino artists in Dubai through the lens of Sa Tahanan Collective founder
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An Artistic Meditation
On Mohamed Ahmed Ibrahim’s practice, about the mind, its subconscious and space.