About
Residency + Research
Programmes
Common Room
Residency + Research
The sun-drenched studio spaces at Alserkal Avenue — based in the Foundation’s headquarters and designed by the UAE architectural collective ‘a hypothetical office’— host two residency cycles per year. The residency is research-led, focusing on generating discursive exchange and allowing local engagement with artistic and scholarly research and practice. Working closely with residents, we design each cycle based on shared interest, affinities and research goals, conceiving of the residency as an introduction to the region with the potential for longer-term engagement. Participants contribute to our community by developing and hosting programming accessible to wider publics. Residencies are open to researchers, writers, and artists, and are not limited to visual production. We welcome researchers from all fields of academic or practice-led enquiry with an interest in knowledge production and interdisciplinary collaboration. Alserkal Arts Foundation's residency programme is currently by nomination only. Residents are selected by the Foundation Selection Committee.
Residents:
Rana Anani
Rana Anani is a curator, writer, and researcher on visual arts and culture. Her articles are published in several forums in Palestine and the region. She was the Head of Communication of the Palestinian Museum, the Project Manager of Qalandiya International 2018, the coordinator of the Palestinian Pavilion at Cannes Film Festival, and an Associate Curator of Sharjah Biennale 13 off-site project “Shifting Grounds” in Ramallah. Currently, she is the editor of the website of the Institute of Palestine Studies, Ramallah/Beirut.
Research Focus
During her residency, Anani will build on her research around the loss of artworks and its impact on collective memory and cultural identity.
By engaging with UAE-based artists through studio visits, tours of museums and archives, and interviews with cultural practitioners, Anani seeks to map stories of destruction, disappearance, and occasional reappearance of artworks, taking into close consideration the experiences of non-Palestinian artists in the wider region. At a time when artwork prices are soaring, Anani examines how these losses - and unexpected returns - shape historical narratives and collective identity.
Upcoming Programme
Don't Forget How To Fly
26 February, 2025
Selection committee:
Maya El Khalil
Maya El Khalil is an independent curator and art advisor, based in Oxford, UK. As founding director of Athr Gallery in Jeddah from 2009 - 2016 , she pioneered exhibition approaches and cultural exchange in the absence of local public art institutions, making significant contributions to the establishment and development of a contemporary art scene in Saudi Arabia. For the last decade, she has continued to work with artists, collectors and institutions to develop the identity and ideas that have defined an art scene, participating in multiple artist mentorship programs in Saudi Arabia and the UAE.
El Khalil is currently collaborating with international institutions on progressive socially engaged exhibitions, developing multidisciplinary conversations that address the environmental and climate emergency, including the ongoing digital platform Take Me to the River https://takemetotheriver.net //, in collaboration with Goethe Institut and Prince Claus Fund. Other recent curatorial projects include Portrait of a Nation II: Beyond Narratives, ADMAF Abu Dhabi ( 2022 ); Take Me to the River, Hamburger Bahnhof Museum of Contemporary Art, Berlin ( 2021 ); I Love You, Urgently, 7 th edition 21,39 Jeddah Arts ( 2020 ); Architecture of Tomorrow: Frei Otto s Legacy in Saudi Arabia, co curated with Prof. Georg Vrachliotis ; The Clocks Are Striking Thirteen, Athr Gallery, Jeddah ( 2018 ); Amma Baad , Nasser Al Salem s first international solo show at the Delfina Foundation, London ( 2019 ) and Casa Arabe , Madrid 2019 ).
El Khalil holds a Bachelor s degree in Mechanical Engineering and an MBA from the American University of Beirut. She is enrolled in MA Art and Politics at Goldsmiths College, University of London.