Style
6 October 2021
Who Owns Yoga?
Troy Pieper

Share
After nursing a stress fracture recently, I thought perhaps the time had come to retire my running shoes and find a new fitness routine. I thought about yoga and considered Shimis, a yoga studio I had passed by many times in my visits to Alserkal Avenue’s galleries, and which advertises a class held in the dark. I had struggled to follow along in my first and only yoga sessions years ago at a Chicago YMCA, and the idea of not being completely visible as a beginner to the practise was appealing. “It’s not completely dark,” Shimis founder Simona Stanton told me when I called to book a session. “We actually have coloured lights that correspond to the body’s energy centres.”

A yoga studio room at Shimi's in Dubai. Courtesy Shimis
But I stopped short of making an appointment, remembering something a flatmate back in Chicago, whose father was from Bombay, had said when I returned from the YMCA. “White people doing yoga …”. Her frustration was telling of a larger discomfort amongst Americans of South Asian heritage. In 2014, Indian-American graphic designer Chiraag Bhakta explored the cultural appropriation and commercialisation of yoga at the San Francisco Asian Art Museum in “#WhitePeopleDoingYoga.” Before taking up yoga this time, I needed to know how I, a white guy doing a sun salutation under a rainbow of chakra lights, might be playing a role in appropriating the culture of a colonially oppressed people.
“Gandhi, adjust toward the ceiling on that updog, mmkay?” says a Lulu Lemon-clad instructor in “If Gandhi Took a Yoga Class,” a video by internet comedy company College Humor. Oh, do you mean my Urdhva Mukha Shvanasana?” Gandhi replies. “No … updog. Don’t worry, you’ll learn the terminology.” Terminology, it turns out, is just one way in which the yoga I’m used to seeing practised resembles earlier forms in name alone. To be more palatable to Western audiences, yoga has undergone a process of being discursively secularised, removed from its complicated religious and political history and made benign and easy to appropriate.

A 16th century carving on a pillar in the historic Hindu Meenakshi Temple in Tamil Nadu, India. Photo by Richard Mortel.
Originating in India, yoga has seen many innovations and evolutions, as happens in religions over the course of millennia. British colonisation brought the practice into contact with Western audiences, and in 1893, an Indian monk called Swami Vivekananda travelled to Chicago to introduce Hinduism – and yoga – at the World’s Columbian Exposition. The massive gathering saw the unveiling of the Ferris wheel, the automatic dishwasher, and the zipper, but it was also a place where other cultures were on display. In “ethnic villages,” Samoans, Egyptians, Inuits and others were presented to visitors as living examples of “foreign” cultures.

Yoga guru Swami Vivikananda. Taken by Patrick Harrison in Chicago, 1893.
As Eastern religious traditions began to reach North America and Europe, practitioners such as Vivekananda preached a yoga of diet, mental concentration, and breathing, rather than posture-based hatha, or physical yoga. But as yoga teachings bounced back and forth between the US and India in the late 1800s and early 1900s, it became the mash-up of ideas we know as yoga today. An emerging Indian nationalism positioned hatha yoga as a superior version of “physical culture,” a worldwide phenomenon of what we call exercise today. The moves of Indian wrestlers were combined with medieval yogic traditions and the gymnastics popular with the British soldiers occupying India. And when the Russian-born Madam Blavatsky, who founded the Theosophical Society in the 1870s, moved to India in 1880, the Society became allied with the Hindu reform movement. Theosophy drew on European philosophies and Asian religions, and the connection between Hinduism and a religious practice developed in the West allowed Theosophy “to become a bridge for secularised Indians back to their own traditions and spirituality,” according to journalist Michelle Goldberg. Indian yoga teachers then exported their Theosophy-tinged practice back to the West.

Cover of Yoga for Americans, by Indra Devi, 1959.
Perhaps most responsible for popularising what we think of as yoga was Indra Devi, born Eugenia Peterson, in Russia. A book about yoga, written by a Chicago lawyer who called himself Yogi Ramacharaka, led her to become interested in a variety of esoteric spiritual practises, which were flourishing in Russia in the early 1900s. When she met Indian yoga master Jiddu Krishnamurti at a Theosophical Society congress in Holland in 1927, she followed him back to the Indian state of Karnataka. There she convinced Krishnamacharya, who was then the resident yoga guru at Mysore Palace, to teach her.
After WWII, Peterson sailed for Hollywood, rebranded as Indra Devi and began teaching celebrities including Greta Garbo in her yoga studio. Long before the counterculture began popularising yoga in the West, Republican housewives were learning yoga from Devi at Elizabeth Arden spas in the 50s and 60s. Later, mass media took yoga completely out of a religious or mystical context by focusing on its health benefits and synonymising hatha yoga with yoga

Cover of Yoga Journal, 1979.
Understanding yoga as a modern adaptation that began with colonialism, it’s possible to make peace with the fact that the historical export of the practice is problematic (and maybe to book that session at Shimis) – and to help educate others, a burden often falling on the shoulders of formerly colonised people. As Gandhi leaves the yoga studio in College Humor’s video, students tell him “Namaste.” Exasperated, he screams “You don’t know what that means!”

expression
Enjoy Your Freedom Outside

culture
From Peace to Protest

culture
Homecoming | A Space For You

culture
In Her Country
culture
Spoons Out of Water

expression
Precarious Existence

culture
Roaming

expression
Abandoned: When a Crisis Allows Nature Back In

culture
An Outlook on Change

culture
Hybrid senses - Slow Art Tour

opinion
Humanising Cities

opinion
What is the role of the artist in society?

culture
Hassan Hajjaj: Carte Blanche

culture
Soothing the Soothsayers

culture
Humanity as Refuge I

culture
Humanity as Refuge II

culture
A Force To Reckon With: Manal Aldowayan

culture
Alserkal Avenue | The First Decade (Part 2)

culture
Alserkal Avenue | The First Decade (Part 1)

culture
Turning The Spotlight On UAE-Based Emerging Artists

culture
Architecture Meets Nature: While We Wait

culture
Burning Issues

expression
When Solidarity Is Not a Metaphor

expression
A closer look with Azza Al Qubaisi

expression
A closer look with Nathaniel Rackowe

expression
A closer look with Kais Salman

expression
A closer look with Sarah Almehairi

culture
Imploded, burned, turned to ash

culture
Sneak peak of An Outlook on Change

culture
Concrete Closed Sessions | Nujoom Alghanem

culture
JAFR. The Alchemy of Signs by Nja Mahdaoui | Elmarsa Gallery

culture
Sneak peak of Burning Issues

culture
Vikram Divecha's "El dorado"

culture
Cultures in Conversation | Openness and the Path to Prosperity

expression
The Alphabetics of the Barista Part II

expression
A Poem, A Garden

opinion
Sneak peak of Humanising Cities

culture
Cultures in Conversation | What Makes a City: Dimensions of Culture and Possibility of Community

expression
Alserkal Insider | Nightjar Coffee Roasters with Leon Surynt

culture
Cultures in Conversation | Never Be Lost: Learn to Read the Stars

culture
Cultures in Conversation | Climate change in the classroom, living room, street and beyond

expression
Concrete Closed Sessions: Danabelle Gutierrez and Charlie119
culture
Echo Holdings x Synthanatos

culture
Dayanita Singh in Conversation

culture
Noria: Circulation Of People In Systems

culture
When the Band Comes Marching In

culture
Adapt to Survive: Notes from the Future

culture
"Under": A Video Documentation

culture
While We Wait

culture
Safina Radio Project: Venice

culture
Super Fence

culture
Cultural Consulting

culture
Resonance / رنين الرِّياح

culture
On Translucency

culture
Deliberate Pauses / وقفات متروية

culture
Research Rooms
culture
Nepal Picture Library
culture
Zora Snake
culture
Dima Srouji and Jasbir Puar

expression
The Greening Story

culture
Nahil Bishara’s Jerusalem

culture
Abu Fadi

culture
Fathi Ghabin: A Self-Portrait of the Working-Class

culture
On This Land

culture
The Age of Multi-Crises

expression
Quoz Arts Fest

expression
Drawing a Shifting Landscape

culture
Rewilding the Kitchen

expression
Radical Podcast x Alserkal Avenue Mini Series

expression
Alserkal Spotlight: Radical Contemporary Podcast

Haroon Mirza: Deciphering Nuance

expression
From the Archive | Spring 2023 Residency

A Feral Commons

The Global Co-Commission

opinion
What We're Listening To
Global Co-commission: 2022 - 2024

culture
Indie Publishers III Women Powered Platforms

expression
Making History: A Study of Archives

expression
Adverse Poetries

culture
Letter from Hollywood: How RRR Redefined Global Pop

expression
An Orchestration of Magic

Beyond the Measure of Time

expression
The Tree School Chronicles

expression
The Street Came First

culture
The Myth about Maths

culture
Ink, Paper, Alchemy II
opinion
Turn On, Tune In

expression
Saint Levant: Home-maker

culture
What did we gain at COP27?

expression
Fahd Burki and Ala Ebtekar Take to the Skies

culture
Arab Cinema in One Week

culture
Mud, Minarets, and Meaningless Events | A research convening

culture
Voice Notes from Venice

culture
The Poetics of Partition

culture
A Reality Check for Indian Love

opinion
Resistance is futile: how I learned to appreciate the e-scooter

culture
The Technological Body

expression
Cultures in Conversation by Alserkal Advisory
culture
A Tour through A Supplementary Country Called Cinema

culture
Rewilding the Kitchen | Joori Wa Loomi by Moza AlMatrooshi

opinion
On Tolerance

culture
Layer upon Layer

culture
A Walk through ICD Brookfield

culture
Earth to Humans

culture
Overheard at WCCE

opinion
Why I Don’t Blame Institutions Anymore

expression
Open Studios: Still Lives

culture
An Incomplete History of Cinema, Part 3

culture
Hair Mapping Body; Body Mapping Land

expression
Cultures in Conversation Blog
culture
Rewilding the Kitchen | Mastic Fizz by Salma Serry

style
Who Owns Yoga?

expression
The Tower by Wilf Speller

culture
The Suffering Body

culture
August Observations

culture
Rewilding the Kitchen | Recipe No. 1 | Barri by Namliyeh
culture
Cultures in Conversation at Expo 2020

culture
On Emirati Women

culture
The Alserkal Ecology Reader | Three Lectures on Architecture and Landscape in the Gulf

expression
Three Conversation Pieces III

culture
An Incomplete History of UAE Cinemas, Part 2

opinion
Design as a Wrapper

opinion
Engaging Audiences

expression
Three Conversation Pieces II

expression
Three Conversation Pieces I

culture
The Overseas Filipino Artist

culture
An Incomplete History of UAE Cinemas, Part 1

expression
Drone Go Chasing Waterfalls

expression
A Letter

opinion
Will the Fashion Industry Ever Truly Be Sustainable?

culture
How Will We Return?

culture
Mohamed Melehi And The Casablanca Art School Archives

expression
An Introductory Curriculum for Reparations
culture
METASITU in conversation with Ghada Yaiche

culture
Cape Town: A New Capital for Art

opinion
The Lighthouse Podcast x Vilma Jurkute

culture
Connecting Cultures Through Contemporary Art

culture
One-on-One with Nabila Abdel Nabi

culture
The Making of a Ruin

culture
Mystical Warriors

culture
Is This Tomorrow?

culture
Slippery Modernism

culture
Is This Tomorrow? Art vs Architecture

culture
Living Under The Net

style
At the Confluence of Art and Industry

culture
Poetry In Motion

culture
Collaborative Co-existence

culture
An Artistic Meditation

culture
Fabric(ated) Fractures

culture
The Africa Connection

culture
The Fabric of Fractures

culture
Chaos, Love, and Enigmas

culture
A Modern History

culture
Hydrogen Helium

culture
Q&A: Hale Tenger And Mari Spirito

culture
Re-Examining The Role Of The Museum In Society



















































