Alserkal Arts Foundation announces 2021-2022 programme exploring the power of language and listening through multiple mediums
17 October 2021
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Alserkal Arts Foundation announces 2021-2022 programme exploring the power of language and listening through multiple mediums
A Slightly Curving Place, an exhibition curated by Nida Ghouse, will open in Concrete in March 2022
17 October 2021, Dubai, United Arab Emirates
- Alserkal Arts Foundation announces its 2021-2022 programme, working with international curators with strong links to the region, and who challenge perceptions through ambitious new projects. Exploring the power of language, the Foundation invites audiences to listen more closely through a study group and film programme, in preparation for a new exhibition. A Slightly Curving Place, curated by Nida Ghouse, is due to open in Concrete on 2 March 2022, presenting an ambisonic soundscape for the first time in the UAE.
Abdelmonem Bin Eisa Alserkal, Founder of Alserkal and Alserkal Arts Foundation, said “It is imperative that we support artists and practitioners who are engaged in unconventional modes of research and cultural production. In an increasingly inter-connected world, encouraging cross-disciplinary approaches is key to creating new forms of knowledge in order to engage and resonate with audiences, now and in the future.”
Centred around an audio play, a video installation, and material in vitrines, A Slightly Curving Place responds to the work of Umashankar Manthravadi, a self-taught acoustic archaeologist who has been listening to premodern performance spaces. In asking what it means to listen to the past and its absence which remains, the exhibition brings together writers, choreographers, composers, actors, dancers, musicians, field recordists, and sound, light, and graphic designers who engage and transform not just each other’s work, but also that of many others. Encompassing a range of practices in which his propositions reverberate, the project attends to what Umashankar does by exploring the political and performative potential of the past that he opens up. The project was previously commissioned and presented by Haus der Kulturen der Welt and the iteration of the exhibition for Concrete is co-produced with support from Experimental Media and Performing Arts Center (EMPAC) at Rensselaer Polytechnic Institute.
Nida Ghouse, Curator of the exhibition, said “An archaeology of sound is primarily concerned with what it means to try and listen to the past, to that which may forever remain outside the range of our hearing. It draws awareness both to sound as a social event—music, theatre, and dance as forms of corporeal relations—and to an absence which remains. The attention to absence challenges the conviction in a technological positivism, that the past can be accessed, that it is for our taking. Such listening is not about finding facts in the acoustic reflections of architectural surfaces so as to reconstruct a once-audible event in a space as accurately as possible, but rather a confrontation with a sense that the past cannot be captured. And can never be known. An archaeology of sound is then about that which is lost but nevertheless always with us—the simultaneity of the past in the present, a collectivity across time beyond possession and accumulation.”
Leading up to the exhibition A Slightly Curving Place, Alserkal Arts Foundation will host An Archaeology of Sound study group and film programme as a means of gathering a community of listeners around the project in Dubai. The film programme, titled A Supplementary Country Called Cinema and organised by Nida Ghouse and Surabhi Sharma, is presented in collaboration with Cinema Akil in Alserkal Avenue, with support from Goethe-Institut. With films such as The Music Room by Satyajit Ray and There is Something in the Air by Iram Ghufran, the programme comprises fiction, documentary, and experimental cinema from the mid-twentieth century to the present, tracing the arrival of sound reproduction technology to the Indian subcontinent and its continued reverberations.
Nada Raza, Alserkal Arts Foundation Director, added: “We look forward to a season that breaks away from the usual methods of programming and exhibition-making. After Homecoming, a collaboration with Janine Gaëlle Dieudji, our autumn programme with Nida Ghouse lays the groundwork for an exhibition that subtly yet fundamentally rethinks curatorial practice, pushing the boundaries of what an exhibition can do whilst remaining sensitive to critical debates and embracing new technologies.’’
As an independent non-profit dedicated to instigating new knowledge through support for research and cultural production, Alserkal Arts Foundation has engaged and collaborated with curators whose projects transform and challenge perceptions. Homecoming, the Foundation's public realm commissions, which were launched in September 2021, connect practices that inspire and provoke through language in an iterative series of large-scale works by artists including Lakwena Maciver (UK), Kameelah Janan Rasheed (USA) and Augustine Paredes (Philippines/UAE). Through the Archaeology of Sound and leading into A Slightly Curving Place, the Foundation focuses on listening as a way of coming to know. Alserkal Arts Foundation also begins a new line of research enquiry, asking questions about frameworks of performance and performativity in our region, through a research collaboration with Warehouse421 in Abu Dhabi that will commence in November 2021.
Credit Lines
A Slightly Curving Place exhibition
Presented by Alserkal Arts Foundation
Curated by Nida Ghouse
with co-production support from Experimental Media and Performing Arts Center (EMPAC) at Rensselaer Polytechnic Institute
An Archaeology of Sound study group
Presented by Alserkal Arts Foundation with support from Goethe-Institut
Guided by Nida Ghouse
An Archaeology of Sound film programme
A Supplementary Country called Cinema
Organised by Nida Ghouse and Surabhi Sharma
Alserkal Arts Foundation in collaboration with Cinema Akil, and supported by Goethe-Institut
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About Alserkal Arts Foundation
Alserkal Arts Foundation is an independent non-profit dedicated to instigating new knowledge through support for research and cultural production. The Foundation commissions artistic projects, hosts and conceptualises exhibitions, and supports alternative learning. Its cross-disciplinary, research-led residencies are open to researchers, writers, and artists, and its Research Grants are awarded to individuals and collectives who disrupt conventional models and methods.
Alserkal Arts Foundation believes in responsive, context-specific programming imagined by the researchers it hosts and supports. It bridges diverse disciplines by creating spaces of congregation, fostering opportunities for critical reflection and production. Its work is regionally aligned, grounded in the MEASA region, and looking outward.
Alserkal Arts Foundation is part of Alserkal—a socially responsible cultural enterprise based in Dubai, and is supported by Abdelmonem Bin Eisa Alserkal, Ahmad Bin Eisa Alserkal and the Alserkal family.
About Cinema Akil
Cinema Akil is an independent cinema platform that brings quality films from across the world to the audiences in the UAE. Showcasing directors and filmmakers across the decades, Cinema Akil aims to create awareness and interest in film and the cinematic arts. Launched in 2014 as a nomadic cinema, Cinema Akil has held over 60 pop-up cinemas attracting over 65,000 attendees in Dubai, Abu Dhabi and Sharjah. In September 2018, Cinema Akil opened its first permanent location in Al Quoz, Dubai making it the GCC’s first arthouse cinema. Cinema Akil’s flagship home is brought to you in partnership with Alserkal. Cinema Akil is a member of the Network of Arab Alternative Screens (NAAS) which includes members from the MENA region such as Metropolis in Beirut, Zawya in Cairo and Cinematheque du Tangier in Morocco. Follow us into the dark.