I PAINT YOUR GRACE, I PAINT YOUR PAIN, I PAINT LOVE

‘I Paint Your Grace, I Paint Your Pain, I Paint Love’ , unveils a compelling selection of never-before-exhibited works that delve into themes of memory, identity, and transformation. Marking his fi rst solo exhibition in half a decade, the show presents artworks from three of his acclaimed series: The Hunt / Riders, Day and Night / Fig Leaf, and Migration / Grey Zone. In these works, past and present converge, offering a rare glimpse into Derakshani’s artistic vision where form, color, and narrative intertwine in a profound exploration of the human experience. Derakshani’s work bridges Persian artistic traditions with personal and socio-political themes. His Hunting series, inspired by Persian miniatures and poetry, reflects both medieval grandeur and memories of his childhood in northeastern Iran. Horses, a recurring motif, symbolize freedom, their elongated forms emerging through intricate layers of color. More than a literal chase, the hunt serves as a metaphor for humanity’s endless pursuit of meaning, power, and transcendence. The Day and Night / Fig Leaf series similarly explores the dualities that shape human existence, light and darkness, presence and absence, ornamentation and ambiguity. These paintings weave together Persian metaphors of paradise, where lush garden imagery evokes communal gatherings and the afterlife. Derakshani’s expressive brushstrokes, bold colors, and luxurious metallic paints create a visual tension between materiality and transcendence, positioning his craft as both an aesthetic and spiritual endeavor. Derakshani reflects on displacement, cultural identity, and modernity through his Migration / Grey Zone series. Shaped by his movement across artistic and geographic landscapes, his work embodies a deep engagement with the Western canon. Despite encountering its masterpieces later in life, his artistic development was profoundly influenced by the rich cultural environment of pre-revolutionary Iran. His work blends abstraction and figuration to explore the fluidity of belonging, memory, place, and identity. The turtle, symbolizing migration and endurance, and subtle cartographic references to Iran evoke a nostalgic and complex relationship with homeland. Reza Derakshani’s ability to interweave historical symbolism with contemporary expression solidifi es his position as a master artist. His work is an ongoing dialogue between tradition and innovation, personal history and collective memory. ‘I Paint Your Grace, I Paint Your Pain, I Paint Love’ invites viewers into a space where painting is both poetic and political, a site of beauty and existential contemplation.