Mohammed Al Faraj’s artistic and life practices intersect and intertwine in many ways, nourished by many wells of inspiration, people and places, memories and dreams, language and nature, traditional and modern practices, and the complex relationship that connects it all to make our present complex, ugly and beautiful all at once. This project derives sanctity and spiritual significance through the use/reuse of natural and non-natural materials, and integrating them with drawings, words and shapes, as all of these elements carry within them the history and memory of those who touched, used and believed in them.